A Clone Is a Clone
- BPM
- 100
- Double-time
- 200
- Open Key
- 3d
- Energy
- 33/100
- Pop
- 0/100
- Length
- 7:20
- Released
- 2012
- Genre
- Minimal
- Loudness
- -14.2 dB
- ISRC
- FR6V80091462
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A Clone Is a Clone is a slow-groove tempo minimal track in D major (10B) at 100 BPM. It reads as subdued and even. The groove is strong and floor-ready. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. More underground than 99% of Acid Pauli's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- groovier than 95% of Acid Pauli's catalogue
- Tempo:
- slower than 90% of Acid Pauli's catalogue
- Energy:
- calmer than 88% of Acid Pauli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is A Clone Is a Clone in?
A Clone Is a Clone by Acid Pauli is in D major, or 10B on the Camelot wheel.
What BPM is A Clone Is a Clone?
A Clone Is a Clone runs at 100 BPM, a slow-groove tempo track.
What mixes well with A Clone Is a Clone?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is A Clone Is a Clone good for peak time?
With energy 33 out of 100 at 100 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 100 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 100 — beatmatch without a big tempo pull.
More minimal
More from Acid Pauli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.