![Caught Behind Mars [Mix Cut] - Original Mix by 16BL cover art](https://i.scdn.co/image/ab67616d00001e021b1352a1f6efab0d87cda51d)
Caught Behind Mars [Mix Cut] - Original Mix
- Key
- 7A · D minor
- BPM
- 119
- Open Key
- 12m
- Energy
- 59/100
- Pop
- 6/100
- Length
- 8:08
- Released
- 2013
- Album
- Warung Brazil 2012 - presented by 16 Bit Lolitas (Mixed Version)
- Genre
- Progressive House
- Loudness
- -9.7 dB
- ISRC
- NLF711207749
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Caught Behind Marsoriginal7B · 120
- Caught Behind Mars - Original Mixoriginal7B · 120
At 119 BPM in D minor (7A), Caught Behind Mars [Mix Cut] - Original Mix is a club-tempo progressive house production. It reads as dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2013 production that still circulates in sets. Slower than 95% of 16BL's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 88% of 16BL's catalogue
- Groove:
- groovier than 78% of 16BL's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Caught Behind Mars [Mix Cut] - Original Mix in?
Caught Behind Mars [Mix Cut] - Original Mix by 16BL is in D minor, or 7A on the Camelot wheel.
What BPM is Caught Behind Mars [Mix Cut] - Original Mix?
Caught Behind Mars [Mix Cut] - Original Mix runs at 119 BPM, a club-tempo track.
What mixes well with Caught Behind Mars [Mix Cut] - Original Mix?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Caught Behind Mars [Mix Cut] - Original Mix good for peak time?
With energy 59 out of 100 at 119 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 119 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 112-126 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 119 — beatmatch without a big tempo pull.
![The Coastline Of Atlantis [Mix Cut] - Original Mix by 16BL cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/c1c7c46ad73130338156.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 119 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
