The Preacher
- Key
- 7A · D minor
- BPM
- 200
- Half-time
- 100
- Open Key
- 12m
- Energy
- 51/100
- Pop
- 0/100
- Length
- 4:51
- Released
- 2019
- Album
- Arabian Sunset
- Genre
- Ethno Pop
- Loudness
- -12.6 dB
- ISRC
- TCAEK1943975
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Preacher: ethno pop, D minor (7A), 200 BPM. It is vocal-led. Spoken-word passages run through it. The master keeps real dynamic headroom. Faster than 99% of Zuma Dionys's catalogue.
- Reach:
- more underground than 99% of Zuma Dionys's catalogue
- Groove:
- less groove-driven than 94% of Zuma Dionys's catalogue
- Energy:
- calmer than 87% of Zuma Dionys's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Preacher in?
The Preacher by Zuma Dionys is in D minor, or 7A on the Camelot wheel.
What BPM is The Preacher?
The Preacher runs at 200 BPM.
What mixes well with The Preacher?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is The Preacher good for peak time?
With energy 51 out of 100 at 200 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 200 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 188-212 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 200 — beatmatch without a big tempo pull.
More ethno pop
More from Zuma Dionys
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 200 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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