The Veil
- BPM
- 123
- Open Key
- 9d
- Energy
- 56/100
- Pop
- 5/100
- Length
- 6:29
- Released
- 2021
- Genre
- Techno
- Loudness
- -10.3 dB
- ISRC
- US83Z2102324
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Veil: club-tempo techno, A♭ major (4B), 123 BPM. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Darker than 98% of Yubik's catalogue. For programming, treat it as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Veil in?
The Veil by Yubik is in A♭ major, or 4B on the Camelot wheel.
What BPM is The Veil?
The Veil runs at 123 BPM, a club-tempo track.
What mixes well with The Veil?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is The Veil good for peak time?
With energy 56 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 123 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More techno
More from Yubik
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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