
You Prefer Cocaine
30s preview
- Key
- 5A · C minor
- BPM
- 137
- Open Key
- 10m
- Energy
- 95/100
- Pop
- 26/100
- Length
- 5:42
- Released
- 2001
- Genre
- Electro
- Loudness
- -7.8 dB
- Dynamics
- 13.8 dB
- ISRC
- BEP010600034
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo electro cut, You Prefer Cocaine sits in C minor (5A) at 137 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2001 production that still circulates in sets. Hotter than 89% of Vitalic's catalogue.
- Reach:
- better known than 88% of Vitalic's catalogue
- Groove:
- less groove-driven than 85% of Vitalic's catalogue
- Brightness:
- brighter than 84% of Vitalic's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is You Prefer Cocaine in?
You Prefer Cocaine by Vitalic is in C minor, or 5A on the Camelot wheel.
What BPM is You Prefer Cocaine?
You Prefer Cocaine runs at 137 BPM, a driving up-tempo track.
What mixes well with You Prefer Cocaine?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is You Prefer Cocaine good for peak time?
With energy 95 out of 100 at 137 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 137 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 137 — beatmatch without a big tempo pull.
More electro
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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