The Light Is a Train by Vitalic cover art

The Light Is a Train

Vitalic

30s preview

Key
9A · E minor
BPM
127
Open Key
2m
Energy
87/100
Pop
0/100
Length
5:47
Released
2022
Genre
Electro
Loudness
-7.0 dB
Dynamics
9.6 dB
ISRC
FRU662110505

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

The Light Is a Train runs 127 BPM in E minor (9A), a peak-time tempo electro record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Vitalic's catalogue. In a set it works best as a peak-time weapon.

Groove:
groovier than 97% of Vitalic's catalogue
Low end:
more bass-heavy than 97% of Vitalic's catalogue
Brightness:
darker than 83% of Vitalic's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood14Dark
Groove83
Acoustic2
Instrumental85
Live10
Speech16

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
43%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
9%
High
2.5-11 kHz

FAQ

What key is The Light Is a Train in?

The Light Is a Train by Vitalic is in E minor, or 9A on the Camelot wheel.

What BPM is The Light Is a Train?

The Light Is a Train runs at 127 BPM, a peak-time tempo track.

What mixes well with The Light Is a Train?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is The Light Is a Train good for peak time?

With energy 87 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

#TrackKey·BPM

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 127 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 87/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

#TrackKey·BPM

More electro

#TrackKey·BPM

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Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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