One Last Kiss to Remember
30s preview
- Key
- 1B · B major
- BPM
- 111
- Open Key
- 6d
- Energy
- 73/100
- Pop
- 20/100
- Length
- 3:48
- Released
- 2019
- Genre
- Minimal
- Loudness
- -9.6 dB
- Dynamics
- 12.1 dB
- ISRC
- DEL021970032
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A mid-tempo minimal cut, One Last Kiss to Remember sits in B major (1B) at 111 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Slower than 80% of Trentemøller's catalogue. In a set it works best as a mid-set roller.
- Reach:
- better known than 79% of Trentemøller's catalogue
- Low end:
- more treble-tilted than 79% of Trentemøller's catalogue
- Energy:
- hotter than 75% of Trentemøller's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is One Last Kiss to Remember in?
One Last Kiss to Remember by Trentemøller is in B major, or 1B on the Camelot wheel.
What BPM is One Last Kiss to Remember?
One Last Kiss to Remember runs at 111 BPM, a mid-tempo track.
What mixes well with One Last Kiss to Remember?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is One Last Kiss to Remember good for peak time?
With energy 73 out of 100 at 111 BPM, it works best as a mid-set roller.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 111 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 104-118 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 111 — beatmatch without a big tempo pull.
More minimal
More from Trentemøller
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 111 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
