Deceive - Trentemøller's Lost & Found Remix
- Key
- 9B · G major
- BPM
- 120
- Open Key
- 2d
- Energy
- 84/100
- Pop
- 12/100
- Length
- 5:16
- Released
- 2014
- Album
- Lost Reworks
- Genre
- Downtempo
- Label
- In My Room
- Loudness
- -6.7 dB
- ISRC
- DEL021470126
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Deceive - Trentemøller Club Mixversion8A · 120
- Deceive - Trentemøller Club Mix Dub Versionversion8A · 120
- Deceive - Unkwon Remixremix2A · 120
- Deceiveoriginal8A · 120
- Deceive - Instrumentaloriginal8A · 120
Against the original (8A at 120 BPM), this version holds the same tempo and moves the key from 8A to 9B.
Deceive - Trentemøller's Lost & Found Remix runs 120 BPM in G major (9B), a club-tempo downtempo record. The mix is almost entirely instrumental. A 2014 production that still circulates in sets. Hotter than 88% of Trentemøller's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 86% of Trentemøller's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Deceive - Trentemøller's Lost & Found Remix in?
Deceive - Trentemøller's Lost & Found Remix by Trentemøller is in G major, or 9B on the Camelot wheel.
What BPM is Deceive - Trentemøller's Lost & Found Remix?
Deceive - Trentemøller's Lost & Found Remix runs at 120 BPM, a club-tempo track.
What mixes well with Deceive - Trentemøller's Lost & Found Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Deceive - Trentemøller's Lost & Found Remix good for peak time?
With energy 84 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
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How to mix it
In 9B at 120 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More downtempo
More from Trentemøller
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
