Deceive - Unkwon Remix
30s preview
- BPM
- 120
- Open Key
- 7m
- Energy
- 71/100
- Pop
- 9/100
- Length
- 4:31
- Released
- 2014
- Album
- Lost Reworks
- Genre
- Downtempo
- Label
- In My Room
- Loudness
- -9.8 dB
- Dynamics
- 14.3 dB
- ISRC
- DEL021470046
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Deceive - Trentemøller Club Mixversion8A · 120
- Deceive - Trentemøller's Lost & Found Remixremix9B · 120
- Deceive - Trentemøller Club Mix Dub Versionversion8A · 120
- Deceiveoriginal8A · 120
- Deceive - Instrumentaloriginal8A · 120
Against the original (8A at 120 BPM), this version holds the same tempo and moves the key from 8A to 2A.
Deceive - Unkwon Remix: club-tempo downtempo, E♭ minor (2A), 120 BPM. The feel is punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2014 production that still circulates in sets. Brighter than 89% of Trentemøller's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more treble-tilted than 87% of Trentemøller's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Deceive - Unkwon Remix in?
Deceive - Unkwon Remix by Trentemøller is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Deceive - Unkwon Remix?
Deceive - Unkwon Remix runs at 120 BPM, a club-tempo track.
What mixes well with Deceive - Unkwon Remix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Deceive - Unkwon Remix good for peak time?
With energy 71 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
![Never Ever [True Electric] by Röyksopp cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/2dc855271f39a7c365d9.webp){kind=small}
How to mix it
In 2A at 120 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More downtempo
More from Trentemøller
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
