When You Hold Me - Daz Remix
30s preview
- BPM
- 120
- Open Key
- 8m
- Energy
- 87/100
- Pop
- 0/100
- Length
- 6:24
- Released
- 2016
- Album
- When You Hold Me (Daz Rmx)
- Genre
- House
- Loudness
- -9.0 dB
- Dynamics
- 12.4 dB
- ISRC
- USMKQ1600053
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- When You Hold Me (InHouse Radio 036)version7B · 124
When You Hold Me - Daz Remix runs 120 BPM in B♭ minor (3A), a club-tempo house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2016 production that still circulates in sets. More underground than 99% of Todd Terry's catalogue.
- Tempo:
- slower than 97% of Todd Terry's catalogue
- Low end:
- more bass-heavy than 82% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is When You Hold Me - Daz Remix in?
When You Hold Me - Daz Remix by Todd Terry is in B♭ minor, or 3A on the Camelot wheel.
What BPM is When You Hold Me - Daz Remix?
When You Hold Me - Daz Remix runs at 120 BPM, a club-tempo track.
What mixes well with When You Hold Me - Daz Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is When You Hold Me - Daz Remix good for peak time?
With energy 87 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![I Can't Quite Understand - Mega Mix [2024 Remaster] by Todd Terry cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/7c47bcf950f7ed218b29.webp){kind=small}
How to mix it
In 3A at 120 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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