Truth in Lies (Radio Edit) by Todd Terry cover art

Truth in Lies (Radio Edit)

Todd Terry

Key
4B · A♭ major
BPM
125
Open Key
9d
Energy
74/100
Pop
0/100
Length
3:11
Released
2020
Album
Truth in Lies (Remix)
Genre
House
Loudness
-8.2 dB
ISRC
TCAFB2029705

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3B at 125 BPM), this version holds the same tempo and moves the key from 3B to 4B.

A club-tempo house cut, Truth in Lies (Radio Edit) sits in A♭ major (4B) at 125 BPM. The feel is dark and driving. The groove is strong and floor-ready. It is vocal-led. More underground than 99% of Todd Terry's catalogue. For programming, treat it as a floor-filler.

Brightness:
darker than 93% of Todd Terry's catalogue
Energy:
calmer than 86% of Todd Terry's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy74
Mood17Dark
Groove76
Acoustic0
Instrumental6
Live10
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Truth in Lies (Radio Edit) in?

Truth in Lies (Radio Edit) by Todd Terry is in A♭ major, or 4B on the Camelot wheel.

What BPM is Truth in Lies (Radio Edit)?

Truth in Lies (Radio Edit) runs at 125 BPM, a club-tempo track.

What mixes well with Truth in Lies (Radio Edit)?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is Truth in Lies (Radio Edit) good for peak time?

With energy 74 out of 100 at 125 BPM, it works best as a floor-filler.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

#TrackKey·BPM

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 125 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More house

More from Todd Terry

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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