Substance by Todd Terry cover art

Substance

Todd Terry

Key
9A · E minor
BPM
125
Open Key
2m
Energy
67/100
Pop
0/100
Length
6:11
Released
2019
Genre
House
Loudness
-11.6 dB
ISRC
USMKQ1900044

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Substance runs 125 BPM in E minor (9A), a club-tempo house record. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. More underground than 99% of Todd Terry's catalogue. For programming, treat it as a mid-set roller.

Energy:
calmer than 93% of Todd Terry's catalogue
Brightness:
darker than 82% of Todd Terry's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy67
Mood30Dark
Groove81
Acoustic0
Instrumental92
Live15
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Substance in?

Substance by Todd Terry is in E minor, or 9A on the Camelot wheel.

What BPM is Substance?

Substance runs at 125 BPM, a club-tempo track.

What mixes well with Substance?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Substance good for peak time?

With energy 67 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

#TrackKey·BPM

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 125 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

More from Todd Terry

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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