Pulsating - Extended Mix
30s preview
- BPM
- 125
- Open Key
- 4d
- Energy
- 92/100
- Pop
- 0/100
- Length
- 6:09
- Released
- 2022
- Album
- Pulsating
- Genre
- House
- Loudness
- -8.1 dB
- Dynamics
- 13.4 dB
- ISRC
- USMKQ2200043
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Pulsating - Editversion11A · 125
Pulsating - Extended Mix is a club-tempo house track in A major (11B) at 125 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Todd Terry's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 84% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Pulsating - Extended Mix in?
Pulsating - Extended Mix by Todd Terry is in A major, or 11B on the Camelot wheel.
What BPM is Pulsating - Extended Mix?
Pulsating - Extended Mix runs at 125 BPM, a club-tempo track.
What mixes well with Pulsating - Extended Mix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Pulsating - Extended Mix good for peak time?
With energy 92 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 125 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.