Nite & Day (Extended Main Mix) by Todd Terry cover art

Nite & Day (Extended Main Mix)

Todd Terry

Key
3A · B♭ minor
BPM
121
Open Key
8m
Energy
78/100
Pop
11/100
Length
2:58
Released
2017
Genre
House
Loudness
-9.1 dB
ISRC
NLF711702412

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 121 BPM in B♭ minor (3A), Nite & Day (Extended Main Mix) is a club-tempo house production. The feel is punchy, neutral in mood. It is vocal-led. A 2017 production that still circulates in sets. Slower than 95% of Todd Terry's catalogue. In a set it works best as a mid-set roller.

Groove:
less groove-driven than 91% of Todd Terry's catalogue
Reach:
better known than 90% of Todd Terry's catalogue
Energy:
calmer than 79% of Todd Terry's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy78
Mood41Balanced
Groove69
Acoustic1
Instrumental2
Live13
Speech3

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Nite & Day (Extended Main Mix) in?

Nite & Day (Extended Main Mix) by Todd Terry is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Nite & Day (Extended Main Mix)?

Nite & Day (Extended Main Mix) runs at 121 BPM, a club-tempo track.

What mixes well with Nite & Day (Extended Main Mix)?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Nite & Day (Extended Main Mix) good for peak time?

With energy 78 out of 100 at 121 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 121 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 121 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Todd Terry

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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