I Get It (New York)
- BPM
- 128
- Open Key
- 3m
- Energy
- 74/100
- Pop
- 0/100
- Length
- 4:30
- Released
- 2013
- Genre
- House
- Loudness
- -6.1 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
I Get It (New York): peak-time tempo house, B minor (10A), 128 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. A 2013 production that still circulates in sets. More underground than 99% of Todd Terry's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- faster than 93% of Todd Terry's catalogue
- Energy:
- calmer than 86% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is I Get It (New York) in?
I Get It (New York) by Todd Terry is in B minor, or 10A on the Camelot wheel.
What BPM is I Get It (New York)?
I Get It (New York) runs at 128 BPM, a peak-time tempo track.
What mixes well with I Get It (New York)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is I Get It (New York) good for peak time?
With energy 74 out of 100 at 128 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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