Elevator (Lift Me Up)
30s preview
- BPM
- 124
- Open Key
- 8d
- Energy
- 84/100
- Pop
- 5/100
- Length
- 5:17
- Released
- 2018
- Genre
- House
- Loudness
- -11.0 dB
- Dynamics
- 15.8 dB
- ISRC
- DEPY31800827
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Elevator (Lift Me Up) - Jerry Ropero Tech Boom Mixoriginal9B · 126
- Elevator (Lift Me Up) - M4G Remixremix10A · 128
Elevator (Lift Me Up) runs 124 BPM in D♭ major (3B), a club-tempo house record. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2018 production that still circulates in sets. Better known than 81% of Todd Terry's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 80% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Elevator (Lift Me Up) in?
Elevator (Lift Me Up) by Todd Terry is in D♭ major, or 3B on the Camelot wheel.
What BPM is Elevator (Lift Me Up)?
Elevator (Lift Me Up) runs at 124 BPM, a club-tempo track.
What mixes well with Elevator (Lift Me Up)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Elevator (Lift Me Up) good for peak time?
With energy 84 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 124 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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