Don't Turn Your Back On Me - Deep House Mix
30s preview
- BPM
- 123
- Open Key
- 5m
- Energy
- 87/100
- Pop
- 4/100
- Length
- 4:12
- Released
- 2024
- Album
- Retrospective Three
- Genre
- House
- Loudness
- -6.7 dB
- Dynamics
- 13.9 dB
- ISRC
- USMKQ2400054
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 123 BPM in D♭ minor (12A), Don't Turn Your Back On Me - Deep House Mix is a club-tempo house production. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The master keeps unusual dynamic range for club music (crest 14 dB). Slower than 91% of Todd Terry's catalogue. In a set it works best as a floor-filler.
- Low end:
- more treble-tilted than 87% of Todd Terry's catalogue
- Brightness:
- brighter than 79% of Todd Terry's catalogue
- Reach:
- better known than 78% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Don't Turn Your Back On Me - Deep House Mix in?
Don't Turn Your Back On Me - Deep House Mix by Todd Terry is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Don't Turn Your Back On Me - Deep House Mix?
Don't Turn Your Back On Me - Deep House Mix runs at 123 BPM, a club-tempo track.
What mixes well with Don't Turn Your Back On Me - Deep House Mix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Don't Turn Your Back On Me - Deep House Mix good for peak time?
With energy 87 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 123 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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