Glasshouse (feat. Julia Church) - UNKLE Reconstruction
30s preview
- Key
- 7B · F major
- BPM
- 122
- Open Key
- 12d
- Energy
- 77/100
- Pop
- 37/100
- Length
- 5:23
- Released
- 2024
- Album
- Glasshouse (feat. Julia Church) [UNKLE Reconstruction]
- Genre
- Progressive House
- Loudness
- -8.5 dB
- Dynamics
- 10.5 dB
- ISRC
- GBENL2404193
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Glasshouseoriginal8B · 120
Glasshouse (feat. Julia Church) - UNKLE Reconstruction is a club-tempo progressive house track in F major (7B) at 122 BPM. The feel is dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. Slower than 95% of Tinlicker's catalogue. In a set it works best as a mid-set roller.
- Reach:
- better known than 86% of Tinlicker's catalogue
- Energy:
- calmer than 75% of Tinlicker's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Glasshouse (feat. Julia Church) - UNKLE Reconstruction in?
Glasshouse (feat. Julia Church) - UNKLE Reconstruction by Tinlicker is in F major, or 7B on the Camelot wheel.
What BPM is Glasshouse (feat. Julia Church) - UNKLE Reconstruction?
Glasshouse (feat. Julia Church) - UNKLE Reconstruction runs at 122 BPM, a club-tempo track.
What mixes well with Glasshouse (feat. Julia Church) - UNKLE Reconstruction?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Glasshouse (feat. Julia Church) - UNKLE Reconstruction good for peak time?
With energy 77 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 122 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Tinlicker
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
