Devil's Elbow - Max Cooper Remix by Nick Warren cover art

Devil's Elbow - Max Cooper Remix

Nick Warren

30s preview

Key
8B · C major
BPM
122
Open Key
1d
Energy
74/100
Pop
0/100
Length
9:16
Released
2013
Album
Devil's Elbow
Genre
Progressive House
Loudness
-13.9 dB
Dynamics
10.3 dB
ISRC
GBDRF1300511

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9B at 95 BPM), this version runs 27 BPM faster and moves the key from 9B to 8B.

Devil's Elbow - Max Cooper Remix is a club-tempo progressive house track in C major (8B) at 122 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Nick Warren's catalogue. In a set it works best as a mid-set roller.

Low end:
more bass-heavy than 98% of Nick Warren's catalogue
Groove:
less groove-driven than 96% of Nick Warren's catalogue
Brightness:
darker than 85% of Nick Warren's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy74
Mood13Dark
Groove55
Acoustic35
Instrumental84
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
49%
Low
30-130 Hz
34%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
2%
High
2.5-11 kHz

FAQ

What key is Devil's Elbow - Max Cooper Remix in?

Devil's Elbow - Max Cooper Remix by Nick Warren is in C major, or 8B on the Camelot wheel.

What BPM is Devil's Elbow - Max Cooper Remix?

Devil's Elbow - Max Cooper Remix runs at 122 BPM, a club-tempo track.

What mixes well with Devil's Elbow - Max Cooper Remix?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Devil's Elbow - Max Cooper Remix good for peak time?

With energy 74 out of 100 at 122 BPM, it works best as a mid-set roller.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#Track

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 122 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More progressive house

More from Nick Warren

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track