Shine
- BPM
- 123
- Open Key
- 4m
- Energy
- 65/100
- Pop
- 2/100
- Length
- 6:39
- Released
- 2020
- Genre
- Deep House
- Label
- Stil Vor Talent
- Loudness
- -10.1 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Shineoriginal11A · 123
Shine runs 123 BPM in F♯ minor (11A), a club-tempo deep house record. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. For programming, treat it as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Shine in?
Shine by Tim Engelhardt is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Shine?
Shine runs at 123 BPM, a club-tempo track.
What mixes well with Shine?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Shine good for peak time?
With energy 65 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 123 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More deep house
More from Tim Engelhardt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
