Distorted Foam by Fideles cover art

Distorted Foam

Fideles

30s preview

Key
9B · G major
BPM
123
Open Key
2d
Energy
65/100
Pop
4/100
Length
6:56
Released
2018
Album
Cerchio
Genre
Tech House
Label
Exit Strategy
Loudness
-12.7 dB
Dynamics
9.3 dB
ISRC
DEEC31810004

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Distorted Foam: club-tempo tech house, G major (9B), 123 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. More bass-heavy than 89% of Fideles's catalogue. For programming, treat it as a mid-set roller.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy65
Mood29Dark
Groove75
Acoustic0
Instrumental88
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
50%
Low
30-130 Hz
34%
Low-mid
130-570 Hz
11%
Upper-mid
570 Hz-2.5 kHz
5%
High
2.5-11 kHz

FAQ

What key is Distorted Foam in?

Distorted Foam by Fideles is in G major, or 9B on the Camelot wheel.

What BPM is Distorted Foam?

Distorted Foam runs at 123 BPM, a club-tempo track.

What mixes well with Distorted Foam?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Distorted Foam good for peak time?

With energy 65 out of 100 at 123 BPM, it works best as a mid-set roller.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 123 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More tech house

More from Fideles

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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