He Who Has The Chicken Foot (All The Time)
30s preview
- BPM
- 130
- Open Key
- 4d
- Energy
- 87/100
- Pop
- 0/100
- Length
- 6:17
- Released
- 2023
- Genre
- Tech House
- Loudness
- -7.0 dB
- Dynamics
- 10.9 dB
- ISRC
- UKN6K2201793
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo tech house cut, He Who Has The Chicken Foot (All The Time) sits in A major (11B) at 130 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Third Son's catalogue.
- Brightness:
- brighter than 93% of Third Son's catalogue
- Tempo:
- faster than 90% of Third Son's catalogue
- Energy:
- hotter than 84% of Third Son's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is He Who Has The Chicken Foot (All The Time) in?
He Who Has The Chicken Foot (All The Time) by Third Son is in A major, or 11B on the Camelot wheel.
What BPM is He Who Has The Chicken Foot (All The Time)?
He Who Has The Chicken Foot (All The Time) runs at 130 BPM, a peak-time tempo track.
What mixes well with He Who Has The Chicken Foot (All The Time)?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is He Who Has The Chicken Foot (All The Time) good for peak time?
With energy 87 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 130 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More tech house
More from Third Son
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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