Rise Of The Phoneix
30s preview
- BPM
- 130
- Open Key
- 5m
- Energy
- 87/100
- Pop
- 21/100
- Length
- 6:44
- Released
- 2018
- Album
- Rise of the Phoneix
- Genre
- Tech House
- Loudness
- -11.3 dB
- Dynamics
- 11.0 dB
- ISRC
- UKGGD0600064
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Rise Of The Phoneix is a peak-time tempo tech house track in D♭ minor (12A) at 130 BPM. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2018 production that still circulates in sets. More bass-heavy than 99% of KlangKuenstler's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Rise Of The Phoneix in?
Rise Of The Phoneix by KlangKuenstler is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Rise Of The Phoneix?
Rise Of The Phoneix runs at 130 BPM, a peak-time tempo track.
What mixes well with Rise Of The Phoneix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Rise Of The Phoneix good for peak time?
With energy 87 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 130 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More tech house
More from KlangKuenstler
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.