Tympanic Warfare
30s preview
- Key
- 9B · G major
- BPM
- 120
- Open Key
- 2d
- Energy
- 84/100
- Pop
- 0/100
- Length
- 9:36
- Released
- 2014
- Album
- American Intelligence
- Genre
- Deep House
- Loudness
- -9.0 dB
- Dynamics
- 13.2 dB
- ISRC
- DEZ651375901
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Tympanic Warfareoriginal9B · 120
At 120 BPM in G major (9B), Tympanic Warfare is a club-tempo deep house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2014 production that still circulates in sets. More underground than 99% of Theo Parrish's catalogue. In a set it works best as a mid-set roller.
- Energy:
- hotter than 89% of Theo Parrish's catalogue
- Groove:
- less groove-driven than 84% of Theo Parrish's catalogue
- Brightness:
- darker than 75% of Theo Parrish's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Tympanic Warfare in?
Tympanic Warfare by Theo Parrish is in G major, or 9B on the Camelot wheel.
What BPM is Tympanic Warfare?
Tympanic Warfare runs at 120 BPM, a club-tempo track.
What mixes well with Tympanic Warfare?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Tympanic Warfare good for peak time?
With energy 84 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
![Latch (Kaik Remix) [feat. Sam Smith] by Disclosure cover art](https://i.scdn.co/image/ab67616d00001e02140d74c641b1e470e2da0871){kind=small}
How to mix it
In 9B at 120 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More deep house
More from Theo Parrish
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.