Move Your Hips by Tal Fussman cover art

Move Your Hips

Tal Fussman

30s preview

Key
11B · A major
BPM
125
Open Key
4d
Energy
86/100
Pop
22/100
Length
5:38
Released
2023
Genre
House
Label
Survival Tactics
Loudness
-8.4 dB
Dynamics
14.0 dB
ISRC
DEUE12333292

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Move Your Hips runs 125 BPM in A major (11B), a club-tempo house record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). Better known than 87% of Tal Fussman's catalogue. In a set it works best as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy86
Mood25Dark
Groove76
Acoustic2
Instrumental90
Live9
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Move Your Hips in?

Move Your Hips by Tal Fussman is in A major, or 11B on the Camelot wheel.

What BPM is Move Your Hips?

Move Your Hips runs at 125 BPM, a club-tempo track.

What mixes well with Move Your Hips?

From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.

Is Move Your Hips good for peak time?

With energy 86 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

11B10B · 12B · 11A

From 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.

Every move from 11B

12BSimple Mix Upper
10BSimple Mix Downer
11ATonal Shift·
12ADiagonal Mix Upper
10ADiagonal Mix Downer
2ACompatible Tone·
1BHigh Energy Boost▲▲▲
9BHigh Energy Drain▼▼▼
2BParallel Key Upper▲▲
8BParallel Key Downer▼▼
6BTritone Jump▲▲
3BRelated Keyrisky

How to mix it

In 11B at 125 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 86/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More house

More from Tal Fussman

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track