We Get It
- BPM
- 90
- Double-time
- 180
- Open Key
- 7d
- Energy
- 92/100
- Pop
- 0/100
- Length
- 2:47
- Released
- 2011
- Album
- The I
- Genre
- House
- Loudness
- -5.8 dB
- ISRC
- USJ3V1099302
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A slow-groove tempo house cut, We Get It sits in F♯ major (2B) at 90 BPM. It reads as bright and euphoric. It is vocal-led. Spoken-word passages run through it. A 2011 production that still circulates in sets. More underground than 99% of Storm Mollison's catalogue. For programming, treat it as an opener or closing-set piece.
- Tempo:
- slower than 96% of Storm Mollison's catalogue
- Groove:
- less groove-driven than 91% of Storm Mollison's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is We Get It in?
We Get It by Storm Mollison is in F♯ major, or 2B on the Camelot wheel.
What BPM is We Get It?
We Get It runs at 90 BPM, a slow-groove tempo track.
What mixes well with We Get It?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is We Get It good for peak time?
With energy 92 out of 100 at 90 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 90 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 85-95 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 90 — beatmatch without a big tempo pull.
More house
More from Storm Mollison
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 90 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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