
Circle of Harmony
- BPM
- 125
- Open Key
- 8d
- Energy
- 57/100
- Pop
- 15/100
- Length
- 8:00
- Released
- 2020
- Genre
- Techno
- Loudness
- -15.0 dB
- ISRC
- DEEC32000088
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo techno cut, Circle of Harmony sits in D♭ major (3B) at 125 BPM. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Darker than 84% of Stephan Jolk's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 80% of Stephan Jolk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Circle of Harmony in?
Circle of Harmony by Stephan Jolk is in D♭ major, or 3B on the Camelot wheel.
What BPM is Circle of Harmony?
Circle of Harmony runs at 125 BPM, a club-tempo track.
What mixes well with Circle of Harmony?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Circle of Harmony good for peak time?
With energy 57 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Stephan Jolk
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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