Balling - Original Mix
30s preview
- Key
- 9B · G major
- BPM
- 120
- Open Key
- 2d
- Energy
- 79/100
- Pop
- 0/100
- Length
- 6:39
- Released
- 2012
- Album
- Shortys Got A Phat Ass EP
- Genre
- Tech House
- Loudness
- -10.3 dB
- Dynamics
- 13.8 dB
- ISRC
- GBKQU1227616
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Balling - Original Mix runs 120 BPM in G major (9B), a club-tempo tech house record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2012 production that still circulates in sets. More underground than 99% of Sishi Rösch's catalogue. For programming, treat it as a floor-filler.
- Low end:
- more treble-tilted than 85% of Sishi Rösch's catalogue
- Groove:
- groovier than 83% of Sishi Rösch's catalogue
- Brightness:
- darker than 80% of Sishi Rösch's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Balling - Original Mix in?
Balling - Original Mix by Sishi Rösch is in G major, or 9B on the Camelot wheel.
What BPM is Balling - Original Mix?
Balling - Original Mix runs at 120 BPM, a club-tempo track.
What mixes well with Balling - Original Mix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Balling - Original Mix good for peak time?
With energy 79 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 120 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Sishi Rösch
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
