Shape the Words - Original Mix
30s preview
- BPM
- 121
- Open Key
- 10d
- Energy
- 86/100
- Pop
- 4/100
- Length
- 7:02
- Released
- 2016
- Album
- Shape the Words
- Genre
- Tech House
- Label
- 303Lovers
- Loudness
- -6.7 dB
- Dynamics
- 11.1 dB
- ISRC
- BGA691600086
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Shape the Words - Original Mix runs 121 BPM in E♭ major (5B), a club-tempo tech house record. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2016 production that still circulates in sets. More treble-tilted than 82% of Simone Vitullo's catalogue.
- Tempo:
- slower than 79% of Simone Vitullo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Shape the Words - Original Mix in?
Shape the Words - Original Mix by Simone Vitullo is in E♭ major, or 5B on the Camelot wheel.
What BPM is Shape the Words - Original Mix?
Shape the Words - Original Mix runs at 121 BPM, a club-tempo track.
What mixes well with Shape the Words - Original Mix?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is Shape the Words - Original Mix good for peak time?
With energy 86 out of 100 at 121 BPM, it works best as a floor-filler.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 121 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More tech house
More from Simone Vitullo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
