We’ve Been Here Before
30s preview
- Key
- 5A · C minor
- BPM
- 121
- Open Key
- 10m
- Energy
- 83/100
- Pop
- 18/100
- Length
- 9:16
- Released
- 2022
- Genre
- Tech House
- Loudness
- -8.9 dB
- Dynamics
- 22.9 dB
- ISRC
- UKSP42200110
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
We’ve Been Here Before runs 121 BPM in C minor (5A), a club-tempo tech house record. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 23 dB). More treble-tilted than 90% of Tim Green's catalogue. In a set it works best as a floor-filler.
- Reach:
- better known than 85% of Tim Green's catalogue
- Tempo:
- slower than 76% of Tim Green's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 23%
- High
- 2.5-11 kHz
FAQ
What key is We’ve Been Here Before in?
We’ve Been Here Before by Tim Green is in C minor, or 5A on the Camelot wheel.
What BPM is We’ve Been Here Before?
We’ve Been Here Before runs at 121 BPM, a club-tempo track.
What mixes well with We’ve Been Here Before?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is We’ve Been Here Before good for peak time?
With energy 83 out of 100 at 121 BPM, it works best as a floor-filler.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 121 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More tech house
More from Tim Green
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
