Selena (Frames Remix)
30s preview
- BPM
- 121
- Open Key
- 3m
- Energy
- 83/100
- Pop
- 22/100
- Length
- 5:58
- Released
- 2012
- Album
- This Summer / Selena (Remixes) - EP
- Genre
- Dance Pop
- Loudness
- -5.0 dB
- Dynamics
- 13.4 dB
- ISRC
- GBS3T1200019
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Selenaoriginal10B · 125
- Selena (Lancelot Remix)remix10A · 120
Against the original (10B at 125 BPM), this version runs 4 BPM slower and moves the key from 10B to 10A.
At 121 BPM in B minor (10A), Selena (Frames Remix) is a club-tempo dance pop production. Tonally it lands punchy, neutral in mood. It is vocal-led. The master keeps unusual dynamic range for club music (crest 13 dB). A 2012 production that still circulates in sets. More treble-tilted than 93% of Rufus Du Sol's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- brighter than 85% of Rufus Du Sol's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Selena (Frames Remix) in?
Selena (Frames Remix) by Rufus Du Sol is in B minor, or 10A on the Camelot wheel.
What BPM is Selena (Frames Remix)?
Selena (Frames Remix) runs at 121 BPM, a club-tempo track.
What mixes well with Selena (Frames Remix)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Selena (Frames Remix) good for peak time?
With energy 83 out of 100 at 121 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 121 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More dance pop
More from Rufus Du Sol
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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