I Exist Because Of You - Henrik Schwarz Live Version
30s preview
- Key
- 9B · G major
- BPM
- 121
- Open Key
- 2d
- Energy
- 85/100
- Pop
- 0/100
- Length
- 9:46
- Released
- 2008
- Album
- I Exist Because Of You Versions
- Genre
- House
- Loudness
- -8.0 dB
- Dynamics
- 9.7 dB
- ISRC
- DEEC30800018
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Exist Because of You (Henrik Schwarz live version)original9B · 126
- I Exist Because Of You - Dixon's Stripped Down Versionoriginal9B · 122
Against the original (9B at 122 BPM), this version runs 1 BPM slower in the same key.
A club-tempo house cut, I Exist Because Of You - Henrik Schwarz Live Version sits in G major (9B) at 121 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2008 production that still circulates in sets. More underground than 99% of Henrik Schwarz's catalogue.
- Energy:
- hotter than 94% of Henrik Schwarz's catalogue
- Low end:
- more treble-tilted than 76% of Henrik Schwarz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is I Exist Because Of You - Henrik Schwarz Live Version in?
I Exist Because Of You - Henrik Schwarz Live Version by Henrik Schwarz is in G major, or 9B on the Camelot wheel.
What BPM is I Exist Because Of You - Henrik Schwarz Live Version?
I Exist Because Of You - Henrik Schwarz Live Version runs at 121 BPM, a club-tempo track.
What mixes well with I Exist Because Of You - Henrik Schwarz Live Version?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is I Exist Because Of You - Henrik Schwarz Live Version good for peak time?
With energy 85 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 121 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More house
More from Henrik Schwarz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
