These Dreams - Mallone. Remix
30s preview
- BPM
- 121
- Open Key
- 9d
- Energy
- 82/100
- Pop
- 0/100
- Length
- 7:48
- Released
- 2015
- Album
- These Dreams
- Genre
- Deep House
- Loudness
- -14.2 dB
- Dynamics
- 9.8 dB
- ISRC
- US83Z1529587
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- These Dreamsoriginal10B · 120
- These Dreams - Clawz SG Remixremix9B · 123
Against the original (10B at 120 BPM), this version runs 1 BPM faster and moves the key from 10B to 4B.
A club-tempo deep house cut, These Dreams - Mallone. Remix sits in A♭ major (4B) at 121 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. More underground than 99% of Just Her's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 91% of Just Her's catalogue
- Tempo:
- slower than 80% of Just Her's catalogue
- Groove:
- less groove-driven than 76% of Just Her's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is These Dreams - Mallone. Remix in?
These Dreams - Mallone. Remix by Just Her is in A♭ major, or 4B on the Camelot wheel.
What BPM is These Dreams - Mallone. Remix?
These Dreams - Mallone. Remix runs at 121 BPM, a club-tempo track.
What mixes well with These Dreams - Mallone. Remix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is These Dreams - Mallone. Remix good for peak time?
With energy 82 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 121 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
![6 O'Clock In The Morning [Mix Cut] - Original Mix by 16BL cover art](https://i.scdn.co/image/ab67616d00001e021b1352a1f6efab0d87cda51d){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
