Jack On The Rocks - Sante Remix
- BPM
- 121
- Open Key
- 4d
- Energy
- 58/100
- Pop
- 2/100
- Length
- 6:53
- Released
- 2013
- Album
- Jack On The Rocks EP
- Genre
- House
- Label
- OFF Recordings
- Loudness
- -9.0 dB
- ISRC
- QMSNZ1305542
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Jack On The Rocks - Original Mixoriginal4A · 123
- Jack on the Rocksoriginal4A · 123
Against the original (4A at 123 BPM), this version runs 2 BPM slower and moves the key from 4A to 11B.
Jack On The Rocks - Sante Remix runs 121 BPM in A major (11B), a club-tempo house record. It reads as bright and easy. The groove is strong and floor-ready. A 2013 production that still circulates in sets. Slower than 99% of Sidney Charles's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 99% of Sidney Charles's catalogue
- Brightness:
- brighter than 99% of Sidney Charles's catalogue
- Energy:
- calmer than 97% of Sidney Charles's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Jack On The Rocks - Sante Remix in?
Jack On The Rocks - Sante Remix by Sidney Charles is in A major, or 11B on the Camelot wheel.
What BPM is Jack On The Rocks - Sante Remix?
Jack On The Rocks - Sante Remix runs at 121 BPM, a club-tempo track.
What mixes well with Jack On The Rocks - Sante Remix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Jack On The Rocks - Sante Remix good for peak time?
With energy 58 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 121 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More house
More from Sidney Charles
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
