Circles And Cicles
30s preview
- BPM
- 120
- Open Key
- 6m
- Energy
- 68/100
- Pop
- 0/100
- Length
- 7:32
- Released
- 2023
- Album
- Geiger
- Genre
- Progressive House
- Label
- Surrrealism
- Loudness
- -10.9 dB
- Dynamics
- 9.0 dB
- ISRC
- DEY472371551
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Circles And Cicles: club-tempo progressive house, A♭ minor (1A), 120 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Sascha Braemer's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 94% of Sascha Braemer's catalogue
- Tempo:
- slower than 91% of Sascha Braemer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Circles And Cicles in?
Circles And Cicles by Sascha Braemer is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Circles And Cicles?
Circles And Cicles runs at 120 BPM, a club-tempo track.
What mixes well with Circles And Cicles?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Circles And Cicles good for peak time?
With energy 68 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
![Stolen Glances (feat. Låpsley) [Extended] by Franky Wah cover art](https://i.scdn.co/image/ab67616d00001e0256b81ef4617ccbbfdf77966e){kind=small}
How to mix it
In 1A at 120 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from Sascha Braemer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
