Diamond (Gold Rush) - Petite Noir Remix
- Key
- 7A · D minor
- BPM
- 120
- Open Key
- 12m
- Energy
- 61/100
- Pop
- 0/100
- Length
- 3:34
- Released
- 2015
- Album
- Gold Rush
- Genre
- Dance Pop
- Loudness
- -11.0 dB
- ISRC
- GBPVV1601263
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Diamond (Gold Rush)original7A · 145
- Diamond (Gold Rush) - Xo Remixremix7A · 110
Against the original (7A at 145 BPM), this version runs 25 BPM slower in the same key.
Diamond (Gold Rush) - Petite Noir Remix runs 120 BPM in D minor (7A), a club-tempo dance pop record. Tonally it lands dark and driving. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. More underground than 99% of Salute's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 85% of Salute's catalogue
- Brightness:
- darker than 84% of Salute's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Diamond (Gold Rush) - Petite Noir Remix in?
Diamond (Gold Rush) - Petite Noir Remix by Salute is in D minor, or 7A on the Camelot wheel.
What BPM is Diamond (Gold Rush) - Petite Noir Remix?
Diamond (Gold Rush) - Petite Noir Remix runs at 120 BPM, a club-tempo track.
What mixes well with Diamond (Gold Rush) - Petite Noir Remix?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Diamond (Gold Rush) - Petite Noir Remix good for peak time?
With energy 61 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 120 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More dance pop
More from Salute
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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