This Must Be It - Florian Meindl Remix
30s preview
- BPM
- 122
- Open Key
- 3d
- Energy
- 59/100
- Pop
- 4/100
- Length
- 7:12
- Released
- 2009
- Album
- This Must Be It
- Genre
- Electro
- Label
- Wall Of Sound
- Loudness
- -7.7 dB
- Dynamics
- 11.9 dB
- ISRC
- FRZ110901446
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- This Must Be It - Maxime Dangles Remixremix9B · 127
- This Must Be Itoriginal9B · 122
- This Must Be It - Moguai Remixremix9A · 127
- This Must Be It - Danton Eeprom Remixremix10A · 122
- This Must Be It - Lehtmojoe Remixremix9A · 122
- This Must Be It - Pete Herbert Remixremix11B · 122
Against the original (9B at 122 BPM), this version holds the same tempo and moves the key from 9B to 10B.
This Must Be It - Florian Meindl Remix: club-tempo electro, D major (10B), 122 BPM. It reads as balanced in mood. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2009 production that still circulates in sets. Groovier than 90% of Röyksopp's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 79% of Röyksopp's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is This Must Be It - Florian Meindl Remix in?
This Must Be It - Florian Meindl Remix by Röyksopp is in D major, or 10B on the Camelot wheel.
What BPM is This Must Be It - Florian Meindl Remix?
This Must Be It - Florian Meindl Remix runs at 122 BPM, a club-tempo track.
What mixes well with This Must Be It - Florian Meindl Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is This Must Be It - Florian Meindl Remix good for peak time?
With energy 59 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 122 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More electro
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
