![Alpha Male (Lost Tapes) [Live] by Röyksopp cover art](https://i.scdn.co/image/ab67616d00001e0221d8464067958e7662759807)
Alpha Male (Lost Tapes) [Live]
30s preview
- BPM
- 130
- Open Key
- 4m
- Energy
- 82/100
- Pop
- 25/100
- Length
- 10:00
- Released
- 2020
- Genre
- Downtempo
- Label
- Dog Triumph
- Loudness
- -10.1 dB
- Dynamics
- 13.6 dB
- ISRC
- GBW231900013
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Alpha Male - Liveoriginal1B · 135
- Alpha Maleoriginal11A · 135
Against the original (11A at 135 BPM), this version runs 5 BPM slower in the same key.
Alpha Male (Lost Tapes) [Live]: peak-time tempo downtempo, F♯ minor (11A), 130 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Faster than 88% of Röyksopp's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 83% of Röyksopp's catalogue
- Brightness:
- brighter than 80% of Röyksopp's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Alpha Male (Lost Tapes) [Live] in?
Alpha Male (Lost Tapes) [Live] by Röyksopp is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Alpha Male (Lost Tapes) [Live]?
Alpha Male (Lost Tapes) [Live] runs at 130 BPM, a peak-time tempo track.
What mixes well with Alpha Male (Lost Tapes) [Live]?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Alpha Male (Lost Tapes) [Live] good for peak time?
With energy 82 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 130 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
