Greytype I
30s preview
- Key
- 9B · G major
- BPM
- 126
- Open Key
- 2d
- Energy
- 53/100
- Pop
- 1/100
- Length
- 6:19
- Released
- 2018
- Album
- Focus (DJ-Kicks) / Greytype I
- Genre
- Techno
- Label
- !K7 Records
- Loudness
- -17.6 dB
- Dynamics
- 8.6 dB
- ISRC
- DEG931801508
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Greytype I is a club-tempo techno track in G major (9B) at 126 BPM. The feel is dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. More bass-heavy than 93% of Robert Hood's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 91% of Robert Hood's catalogue
- Tempo:
- slower than 81% of Robert Hood's catalogue
- Groove:
- less groove-driven than 79% of Robert Hood's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 48%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Greytype I in?
Greytype I by Robert Hood is in G major, or 9B on the Camelot wheel.
What BPM is Greytype I?
Greytype I runs at 126 BPM, a club-tempo track.
What mixes well with Greytype I?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Greytype I good for peak time?
With energy 53 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 126 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Robert Hood
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
