Mouth to Mouth by Rival Consoles cover art

Mouth to Mouth

Rival Consoles

30s preview

Key
3B · D♭ major
BPM
141
Half-time
71
Open Key
8d
Energy
73/100
Pop
13/100
Length
4:05
Released
2024
Genre
Idm
Loudness
-11.0 dB
Dynamics
12.1 dB
ISRC
GBWZD2416502

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Mouth to Mouth runs 141 BPM in D♭ major (3B), a driving up-tempo idm record. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). Brighter than 81% of Rival Consoles's catalogue. In a set it works best as a high-intensity peak cut.

Tempo:
faster than 79% of Rival Consoles's catalogue
Groove:
less groove-driven than 76% of Rival Consoles's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy73
Mood35Balanced
Groove42
Acoustic18
Instrumental44
Live20
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is Mouth to Mouth in?

Mouth to Mouth by Rival Consoles is in D♭ major, or 3B on the Camelot wheel.

What BPM is Mouth to Mouth?

Mouth to Mouth runs at 141 BPM, a driving up-tempo track.

What mixes well with Mouth to Mouth?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Mouth to Mouth good for peak time?

With energy 73 out of 100 at 141 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#Track

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 141 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 133-149 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 141 — beatmatch without a big tempo pull.

#Track

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#Track

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 141 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track