Plasticine (Remastered)
30s preview
- BPM
- 122
- Open Key
- 3d
- Energy
- 79/100
- Pop
- 14/100
- Length
- 11:20
- Released
- 1993
- Album
- Sheet One (Remastered)
- Genre
- Techno
- Loudness
- -12.0 dB
- Dynamics
- 13.1 dB
- ISRC
- CAM269380032
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Plasticine (2023 Remastered)original11A · 122
A club-tempo techno cut, Plasticine (Remastered) sits in D major (10B) at 122 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 1993 production that still circulates in sets. Slower than 76% of Richie Hawtin's catalogue. For programming, treat it as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 45%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Plasticine (Remastered) in?
Plasticine (Remastered) by Richie Hawtin is in D major, or 10B on the Camelot wheel.
What BPM is Plasticine (Remastered)?
Plasticine (Remastered) runs at 122 BPM, a club-tempo track.
What mixes well with Plasticine (Remastered)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Plasticine (Remastered) good for peak time?
With energy 79 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 122 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More techno
More from Richie Hawtin
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
