Shash - Original Mix
30s preview
- BPM
- 126
- Open Key
- 8d
- Energy
- 86/100
- Pop
- 0/100
- Length
- 7:52
- Released
- 2020
- Album
- Modern Dialect EP
- Genre
- Tech House
- Label
- Pleasure Zone
- Loudness
- -11.9 dB
- Dynamics
- 11.7 dB
- ISRC
- DEK602011543
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Shash - Original Mix is a club-tempo tech house track in D♭ major (3B) at 126 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Rich NxT's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 80% of Rich NxT's catalogue
- Brightness:
- darker than 76% of Rich NxT's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Shash - Original Mix in?
Shash - Original Mix by Rich NxT is in D♭ major, or 3B on the Camelot wheel.
What BPM is Shash - Original Mix?
Shash - Original Mix runs at 126 BPM, a club-tempo track.
What mixes well with Shash - Original Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Shash - Original Mix good for peak time?
With energy 86 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
