Aftertaste of Guilt Pt 2
- BPM
- 135
- Open Key
- 6m
- Energy
- 99/100
- Pop
- 4/100
- Length
- 5:06
- Released
- 2020
- Genre
- Techno
- Loudness
- -5.2 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo techno cut, Aftertaste of Guilt Pt 2 sits in A♭ minor (1A) at 135 BPM. The mix is almost entirely instrumental. The timbre leans dark. Better known than 78% of Regis's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 76% of Regis's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Aftertaste of Guilt Pt 2 in?
Aftertaste of Guilt Pt 2 by Regis is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Aftertaste of Guilt Pt 2?
Aftertaste of Guilt Pt 2 runs at 135 BPM, a driving up-tempo track.
What mixes well with Aftertaste of Guilt Pt 2?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Aftertaste of Guilt Pt 2 good for peak time?
With energy 99 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 135 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More techno
More from Regis
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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