Aftertaste of Guilt by Regis cover art

Aftertaste of Guilt

Regis

Key
1A · A♭ minor
BPM
135
Open Key
6m
Energy
99/100
Pop
2/100
Length
5:06
Released
2012
Album
Complete Works 1999 - 2001
Genre
Techno
Label
Downwards
Loudness
-7.0 dB
ISRC
GBE5X1000110

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Aftertaste of Guilt is a driving up-tempo techno track in A♭ minor (1A) at 135 BPM. The mix is almost entirely instrumental. A 2012 production that still circulates in sets. Brighter than 91% of Regis's catalogue. In a set it works best as a peak-time weapon.

Energy:
hotter than 80% of Regis's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood60Balanced
Groove71
Acoustic3
Instrumental96
Live35
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Aftertaste of Guilt in?

Aftertaste of Guilt by Regis is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Aftertaste of Guilt?

Aftertaste of Guilt runs at 135 BPM, a driving up-tempo track.

What mixes well with Aftertaste of Guilt?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Aftertaste of Guilt good for peak time?

With energy 99 out of 100 at 135 BPM, it works best as a peak-time weapon.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 135 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 99/100).

Similar tempo

Within ±3 BPM of 135 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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