Say Something - Rebuke Acid Rave Remix
30s preview
- BPM
- 128
- Open Key
- 8m
- Energy
- 92/100
- Pop
- 3/100
- Length
- 5:49
- Released
- 2019
- Album
- Say Something Remixes
- Genre
- Punk
- Loudness
- -7.6 dB
- Dynamics
- 10.8 dB
- ISRC
- GBSCL1913014
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Say Something - Rebuke Acid Rave Remix runs 128 BPM in B♭ minor (3A), a peak-time tempo punk record. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More treble-tilted than 92% of Rebuke's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 80% of Rebuke's catalogue
- Energy:
- hotter than 77% of Rebuke's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Say Something - Rebuke Acid Rave Remix in?
Say Something - Rebuke Acid Rave Remix by Rebuke is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Say Something - Rebuke Acid Rave Remix?
Say Something - Rebuke Acid Rave Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Say Something - Rebuke Acid Rave Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Say Something - Rebuke Acid Rave Remix good for peak time?
With energy 92 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More punk
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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