What Once Was Lost by Spektre cover art

What Once Was Lost

Spektre

30s preview

Key
10B · D major
BPM
128
Open Key
3d
Energy
92/100
Pop
0/100
Length
4:40
Released
2020
Genre
Techno
Loudness
-7.9 dB
Dynamics
7.5 dB
ISRC
US7NS2000019

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 128 BPM in D major (10B), What Once Was Lost is a peak-time tempo techno production. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Spektre's catalogue. In a set it works best as a peak-time weapon.

Low end:
more bass-heavy than 96% of Spektre's catalogue
Energy:
hotter than 77% of Spektre's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood30Dark
Groove74
Acoustic0
Instrumental88
Live14
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
47%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
14%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is What Once Was Lost in?

What Once Was Lost by Spektre is in D major, or 10B on the Camelot wheel.

What BPM is What Once Was Lost?

What Once Was Lost runs at 128 BPM, a peak-time tempo track.

What mixes well with What Once Was Lost?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is What Once Was Lost good for peak time?

With energy 92 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 128 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 92/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More techno

More from Spektre

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track