Who Poisoned Ivy
- Key
- 5A · C minor
- BPM
- 129
- Open Key
- 10m
- Energy
- 80/100
- Pop
- 0/100
- Length
- 6:40
- Released
- 2012
- Album
- Who Posioned Ivy
- Genre
- Techno
- Loudness
- -11.7 dB
- ISRC
- BEN581200083
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Who Poisoned Ivy?original5A · 129
- Who Poisoned Ivy? - Dark Chambers Remixremix10B · 128
- Who Poisoned Ivy - Dark Chambers Remixremix10B · 128
Who Poisoned Ivy runs 129 BPM in C minor (5A), a peak-time tempo techno record. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. More underground than 99% of Rebekah's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 85% of Rebekah's catalogue
- Brightness:
- darker than 85% of Rebekah's catalogue
- Tempo:
- slower than 75% of Rebekah's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Who Poisoned Ivy in?
Who Poisoned Ivy by Rebekah is in C minor, or 5A on the Camelot wheel.
What BPM is Who Poisoned Ivy?
Who Poisoned Ivy runs at 129 BPM, a peak-time tempo track.
What mixes well with Who Poisoned Ivy?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Who Poisoned Ivy good for peak time?
With energy 80 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 129 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More techno
More from Rebekah
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
