Pop Pop - Dark Chambers Remix
30s preview
- Key
- 9B · G major
- BPM
- 127
- Open Key
- 2d
- Energy
- 70/100
- Pop
- 0/100
- Length
- 8:30
- Released
- 2011
- Album
- Pop Pop
- Genre
- Techno
- Loudness
- -9.4 dB
- Dynamics
- 13.6 dB
- ISRC
- GBKQU1029730
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Pop Pop - Sopik Remixremix4B · 154
- Pop Pop - Ayako Mori Remixremix8A · 152
- Pop Pop - Alt8 Remixremix2B · 155
- Pop Pop - Rebekah Remixremix11A · 150
- Pop Pop - Dark Chambers Remixremix9B · 150
- Pop Pop - Original Mixoriginal9B · 128
Against the original (9B at 128 BPM), this version runs 1 BPM slower in the same key.
A peak-time tempo techno cut, Pop Pop - Dark Chambers Remix sits in G major (9B) at 127 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2011 production that still circulates in sets. More underground than 99% of Rebekah's catalogue. In a set it works best as a floor-filler.
- Groove:
- groovier than 93% of Rebekah's catalogue
- Brightness:
- brighter than 89% of Rebekah's catalogue
- Tempo:
- slower than 85% of Rebekah's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Pop Pop - Dark Chambers Remix in?
Pop Pop - Dark Chambers Remix by Rebekah is in G major, or 9B on the Camelot wheel.
What BPM is Pop Pop - Dark Chambers Remix?
Pop Pop - Dark Chambers Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Pop Pop - Dark Chambers Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Pop Pop - Dark Chambers Remix good for peak time?
With energy 70 out of 100 at 127 BPM, it works best as a floor-filler.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 127 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Rebekah
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
