Central Hall - Ansome
30s preview
- BPM
- 130
- Open Key
- 4d
- Energy
- 70/100
- Pop
- 0/100
- Length
- 5:04
- Released
- 2016
- Album
- Beginnings EP
- Genre
- Techno
- Loudness
- -12.0 dB
- Dynamics
- 9.7 dB
- ISRC
- GBLV61527432
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Central Halloriginal3A · 136
A peak-time tempo techno cut, Central Hall - Ansome sits in A major (11B) at 130 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More underground than 99% of Rebekah's catalogue. For programming, treat it as a floor-filler.
- Groove:
- groovier than 93% of Rebekah's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Central Hall - Ansome in?
Central Hall - Ansome by Rebekah is in A major, or 11B on the Camelot wheel.
What BPM is Central Hall - Ansome?
Central Hall - Ansome runs at 130 BPM, a peak-time tempo track.
What mixes well with Central Hall - Ansome?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Central Hall - Ansome good for peak time?
With energy 70 out of 100 at 130 BPM, it works best as a floor-filler.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 130 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from Rebekah
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
