Heaven - Late Hours Remix
30s preview
- Key
- 9A · E minor
- BPM
- 121
- Open Key
- 2m
- Energy
- 67/100
- Pop
- 3/100
- Length
- 6:23
- Released
- 2019
- Album
- Heaven EP
- Genre
- Tech House
- Label
- Ritual
- Loudness
- -9.1 dB
- Dynamics
- 13.1 dB
- ISRC
- NLHR21900592
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
Against the original (11B at 121 BPM), this version holds the same tempo and moves the key from 11B to 9A.
At 121 BPM in E minor (9A), Heaven - Late Hours Remix is a club-tempo tech house production. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 13 dB). More treble-tilted than 87% of Rafael Cerato's catalogue.
- Tempo:
- slower than 83% of Rafael Cerato's catalogue
- Energy:
- calmer than 75% of Rafael Cerato's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Heaven - Late Hours Remix in?
Heaven - Late Hours Remix by Rafael Cerato is in E minor, or 9A on the Camelot wheel.
What BPM is Heaven - Late Hours Remix?
Heaven - Late Hours Remix runs at 121 BPM, a club-tempo track.
What mixes well with Heaven - Late Hours Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Heaven - Late Hours Remix good for peak time?
With energy 67 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 121 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More tech house
More from Rafael Cerato
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
